So here I am writing a movie review after ages and that too
for a movie which anybody would hardly care to read about, except perhaps for
some Arjun Kapoor fans, who must have been delighted(read overwhelmed) by on-screen
presence of two of them to soothe (?) their eyes, which while writing itself
seem to be a very conjectural theory, just like the plot of the movie.
So coming to the moral of the story first, which is so
suffused with frequent reminder that you come out of the theater trying hard to
recall the sins of your past that brought you to this day. ‘Apnon ki keemat
sapnon se zyada hoti hai’(Relationships are more valuable than dreams).
Alright, so now you know the big secret. The movie revolves around this big
message where the bad guys are violating the GREAT thought while good guys are
ready to live and die by these words.
Here’s how the story goes. A cop(Prithviraj Sukumaran as
Arya) decides to clear blotch off his father’s name, who was also an
officer(Anupam Kher), suspended for killing a Gangster’s love interest and one
of their twins during an encounter.
Interestingly, they were not dead and hence predictably, to
bring down the empire of the Gangster Yashwardhan(Jackie Shroff), the
not-so-dead look-alike, Vijay, of his spoilt abusive son Ajay(Arjun Kapoor), is
sent as spy. Arya is supported by DCP Ravikant(Rishi Kapoor) in the quest.
Meanwhile, there are a lot of other hooligans trying to take
over the empire of the Gangster. Vijay was intending to pull down Yashwardhan at first but then realized he is not so bad after all. So, he begins to work for
his Dad’s best interests while Arya gets all furious over this Hriday-parivartan(change
of heart). And oh, I forgot to mention so forgetful a character of the heroine
Sasha Aaga(debutant). She is the only one who was able to discover the ‘substitution’
during some intimate moments between the two.
Arya discovers a lot of mess and corruption created by the Police
department, after a loss within the family and then decides to stand by the
Rightful and the worthy in whole drama, which ends abruptly, much to the
audience relief and Atul Sabharwal’s (director) mercy.
